Sacred Geometry is the body of geometric forms, ratios, and proportions — the golden ratio, the Platonic solids, the vesica piscis, the Flower of Life, the Tree of Life, the Sri Yantra, the mandala — to which religious, cosmological, or metaphysical significance has been attributed across cultures. The term covers both a documented phenomenon (the cross-cultural use of specific ratios in sacred architecture, ritual diagrams, and iconography, from the Egyptian pyramids to the Gothic cathedrals) and an interpretive tradition running from Pythagoras and Plato through the Renaissance revival to the modern New Age. The Wheel of Heaven framework accepts the documented pattern as real, engages the esoteric tradition without adopting its strongest metaphysical claims, and reads part of the shared geometric knowledge — hedged as a working hypothesis — as taught to early cultures by the exiled creators rather than discovered independently.
Also:
Sacred Geometry,
geometric symbolism,
sacred mathematics
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The Sampo is the central magical artifact of the Finnish Kalevala — a mill or machine, capped by a 'many-colored lid,' forged by the smith Ilmarinen, that grinds out flour, salt, and money without end. It is fought over, stolen, and shattered at sea, and its fragments wash ashore to make Finland fertile; the poem's singer promises that one day someone will forge another. Its name has long been linked by philologists to the Sanskrit skambha, the world-pillar of the Atharva Veda — and on the reading of Hamlet's Mill the Sampo is a member of the cosmic-mill complex: the turning sky itself, whose grinding is the rotation of the heavens and whose shattering marks the end of a world-age. The corpus reads it beside the Norse Grotte as the Finnish witness to a single, very old mytheme.
Also:
the Sampo of the Kalevala,
the many-colored lid (kirjokansi),
the Finnish world-mill
Saṃsāra (Sanskrit संसार, 'wandering through, flowing on') is the cycle of birth, death, and rebirth shared, in differing forms, across the Hindu, Buddhist, Jain, and Sikh traditions. In the Wheel of Heaven framework it is reread collectively: in Vorilhon's Extra-Terrestrials Took Me to Their Planet (1975), Yahweh takes the Buddhist account of saṃsāra as a description not of the individual soul but of humanity as a whole — a civilization rising to scientific maturity and then either escaping the cycle into a Golden Age of science in the people's service or falling back into it, restarting from a primitive state. The source calls this 'natural selection at the cosmic level for species capable of leaving their planet,' and the corpus reads the Great Flood as a paradigmatic instance of the restart.
Also:
Saṃsāra (Sanskrit संसार, Pali saṃsāra),
the Wheel of Life (Bhavacakra),
the cycle of birth, death, and rebirth
+3 more
Satan (שָׂטָן, Hebrew: 'adversary,' 'accuser,' 'opponent') is an Eloha figure on the home world, leader of the political faction within the Elohim civilization that has consistently opposed the creation of synthetic beings capable of equaling or surpassing their makers. His position has held since before the Earth program began: beings made in the Elohim's own image are dangerous, and no protocol, oversight, or geographic distance can be trusted to contain the risk. The framework's analytical contribution is disentangling Satan from Lucifer, the Serpent, and the Devil — four distinct figures that Western religious tradition conflated into a single personification of cosmic evil across the Second Temple period and later Christian theology. Satan is not the devil of medieval demonology; he is a politician, leader of the Council's opposition party, opposed to the Earth program throughout its history. Across the post-flood period his role is the testing of prophets through adversarial interview — the function the Greek New Testament word diabolos (slanderer) names.
Also:
the Adversary,
the Accuser,
the Opposition
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Sendy's Conditions of Coherence is the methodological framework articulated by Jean Sendy in
L'Ère du Verseau (1970, chapter 18) specifying the five preconditions a reader must satisfy for the Hebrew Bible to appear, in his phrase, 'with the relief and coherence of a hologram.' The conditions are: (1) familiarity with the Bible itself; (2) familiarity with the possibilities and limitations of astronautics within the framework of contemporary physics; (3) elementary but clear and recent knowledge of biology, prehistory, history, and evolution; (4) refusal of any 'explanation by the inexplicable' — that is, any intrusion of the supernatural; and (5) an implicit fifth condition, the acceptance of a universe intelligible to human reason. The framework operates as the systematic methodological complement to Sendy's earlier articulation of the Schliemann-Homer literal-reading principle in
Ces dieux qui firent le ciel et la terre (1969): the Schliemann-Homer parallel specifies the reading method; the Conditions of Coherence specify the equipment the reader must bring to make the method work. The Wheel of Heaven framework engages the Conditions of Coherence as one of the corpus's principal methodological inheritances. The corpus pairs Sendy's five preconditions with Mauro Biglino's three-step operative method (treated in the
Biglino Method entry) to articulate its complete contemporary hermeneutic: Sendy supplies what the reader must have; Biglino supplies what the reader must do. The framework's most philosophically loaded condition is the fourth — the rejection of the supernatural — which Sendy formulates not as modern empiricist naturalism but as a return to what he calls the 'medieval postulate' of rationalism, in which the Tradition is treated as transmitted knowledge from physical galactic visitors rather than as a record of supernatural revelation.
Also:
Sendy's Conditions of Coherence,
Sendy's five conditions,
the conditions of coherence
+2 more
The Septuagint (LXX) is the Koine Greek translation of the Hebrew scriptures, begun with the Torah in third-century-BCE Alexandria and largely complete by roughly the second century BCE. It was the Bible of Hellenistic Judaism and the early Church, and because it predates the Masoretic vocalization by about a thousand years it carries independent text-critical weight — sometimes reflecting an older Hebrew Vorlage than the received Hebrew text. Its most consequential variant for the Wheel of Heaven reading is Deuteronomy 32:8, where the Greek reads 'angels of God' / 'sons of God' against the Masoretic 'sons of Israel' — a divine-council reading the Qumran scroll 4QDeut(j) independently supports.
Also:
LXX,
the Greek Old Testament,
the Alexandrian translation
The Serpent (Hebrew: נָחָשׁ, naḥash) is the figure in Genesis 3 who urges the first humans to eat from the Tree of the Knowledge of Good and Evil and is subsequently cursed and exiled. On the reading developed in the Raëlian source material and adopted by the Wheel of Heaven corpus, the Serpent is read not as a symbol but as a specific historical referent: a faction within the Israel team of Elohim creators — led by the figure later named Lucifer — who disagreed with the home world's restriction on the humans' education and provided them with access to the scientific knowledge that had been withheld.
Also:
the Serpent of Eden,
naḥash,
נָחָשׁ
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Earlier name for the faction's defiance of Yahweh — now treated under Theomachy as part of the same cosmic conflict.
The Shi'ur Qomah (Hebrew שִׁעוּר קוֹמָה, 'the Measure of the Stature') is a text of the pre-Kabbalistic Hekhalot / Merkavah literature in which the angel Metatron dictates the cosmic dimensions of the divine body, limb by limb, each measured in parasangs and named with a secret name. It is the specific text behind the parasang figures the Raëlian canon attributes to 'the Kabbalah.'
Also:
*Shiʿur Qomah* (שִׁעוּר קוֹמָה),
Sefer Haqqomah ('Book of the [Divine] Body'),
the Measure of the Stature
+2 more
Sodom and Gomorrah (Hebrew: סְדֹם וַעֲמֹרָה, Sedom va-Amorah) is the destruction of the Cities of the Plain recorded in Genesis 18–19. In the Wheel of Heaven framework it is read as a targeted strike by the home-world Council of the Elohim against an organized human vengeance movement — the descendants of the post-Babel scientific elite, who had regathered forbidden knowledge at the Cities of the Plain and were preparing an expedition against the creators who had earlier tried to destroy humanity. Structurally the event echoes the Great Flood but on a tactical scale: a localized strike on a single rebel centre rather than a planetary reset, with Abraham interceding beforehand (Genesis 18) and Lot's family extracted before the blow fell (Genesis 19). The framework reads the 'two angels' as Council scouts, the 'brimstone and fire' as an atomic detonation, and the modern Dead Sea basin as the crater it left. Drawing on Vorilhon's The Book Which Tells the Truth (1974), the entry distinguishes Sodom (a human-led rebellion suppressed by force) from the earlier Babel (a peace overture dispersed), and reads the event as the trigger that turned the Serpent symbolism of the Lucifer faction from a positive emblem into a negative one.
Also:
the Cities of the Plain,
the Sodom event,
the Sodom strike
+5 more
The Star of David (Hebrew מָגֵן דָּוִד, Magen David, 'Shield of David') is a six-pointed star formed by two interlocked equilateral triangles — a hexagram. Its identification as the principal Jewish symbol is modern, taking hold with the Prague community and, decisively, with the Zionist movement in the late nineteenth century; the hexagram itself is far older and cross-cultural, appearing as Solomon's Seal, as the Hindu Shatkona, and in Hermetic-alchemical iconography. In the Wheel of Heaven framework the interlocked triangles are read through the 'as above, so below' motif of the Raëlian Symbol of Infinity, of which the Star of David is the outer component; Jean Sendy reads the same figure as the seal of the alliance between the creators and humanity.
Also:
hexagram,
Magen David (מָגֵן דָּוִד, 'Shield of David'),
Solomon's Seal (Seal of Solomon)
+4 more
The Sumerian King List is an ancient Mesopotamian literary composition that presents the history of kingship as a single institution, lowered from heaven and held by one city at a time, from the primeval city of Eridu through the historically attested dynasties of Sumer and Akkad. Known from more than a dozen recensions — the fullest being the Weld-Blundell prism (WB 444) in the Ashmolean Museum — the list opens with the formula 'After the kingship descended from heaven, the kingship was in Eridu,' catalogues eight antediluvian kings ruling five cities for a combined 241,200 years, breaks the sequence with the line 'Then the flood swept over,' and resumes with post-flood dynasties whose reign-lengths decline steadily until they shade into archaeologically attested rulers. Mainstream scholarship reads the composition as political ideology of the Ur III–Isin period, legitimating hegemony by rotating a unitary kingship among cities. The Wheel of Heaven framework reads the same document as compressed historical memory: the descent of kingship from heaven as delegated governance from the Elohim, the enormous antediluvian reigns as a reflex of Elohim-associated longevity in the pre-flood period, and the flood-line divider as the same cataclysm the canon describes.
Also:
SKL (scholarly abbreviation),
nam-lugal an-ta e₁₁-da-ba (Sumerian incipit: 'After the kingship had descended from heaven'),
the Weld-Blundell Prism (WB 444, the fullest single witness)
+1 more
The swastika is one of the oldest religious symbols, with archaeological evidence extending back at least 12,000 years to Paleolithic Europe. It is a cross with arms bent at right angles, in either right-facing (clockwise) or left-facing (counter-clockwise) orientation. Its cross-cultural reach is wide: a principal auspicious symbol in Hindu tradition (Sanskrit svastika, 'well-being' or 'good fortune'), present in nearly all Buddhist temples, one of the eight auspicious symbols (ashtamangala) in Jain tradition, and in pre-Nazi use across European, Mesopotamian, Mediterranean, Native American, and other traditions. In the Wheel of Heaven framework it is the central element of the original Raëlian Symbol of Infinity — the form Yahweh delivered at the December 13, 1973 contact, still used in Asian Raëlian branches — representing the temporal dimension of infinity through the cyclic-eternal principle. The Nazi appropriation (1920-1945) produced the post-1945 complications that shape the symbol's contemporary Western reception.
Also:
svastika,
sauvastika,
manji (卍)
+6 more
Synthetic biology is the engineering-discipline branch of contemporary life engineering. It applies engineering methods — standardisation, modularity, abstraction, characterisation, and design–build–test cycles — to the construction of biological systems with predetermined properties. The field formalised in the early 2000s with the publication of the first designed genetic circuits and the establishment of the BioBricks parts standard, and has since developed into an active scientific and industrial discipline producing engineered metabolic pathways, designed gene-regulatory circuits, cell-based therapeutics, and a growing set of foundational tools. On the Wheel of Heaven framework, synthetic biology is the discipline whose engineering-discipline epistemology most closely matches the operational vocabulary in which the Raëlian source material describes the Elohim's work.
Also:
Engineering biology,
Constructive biology,
Designed biology
+1 more
Synthetic genomics is the branch of life engineering concerned with the design, chemical synthesis, and assembly of complete genomes or large portions of genomes — the construction of an organism's entire hereditary material from designed sequence rather than from modification of existing biological templates. The field is the most ambitious wing of contemporary life engineering, operating at the scale of complete cellular life rather than at the sub-system scale of synthetic biology or the modify-existing scale of genetic engineering. On the Wheel of Heaven framework, synthetic genomics is the sub-discipline whose specific scale of operation — whole-organism construction from designed sequence — most directly matches the operational scale at which the Raëlian source material describes the Elohim's work.
Also:
Whole-genome synthesis,
Genome engineering,
Genome-scale design