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Star of David
The Star of David (Hebrew מָגֵן דָּוִד, Magen David, 'Shield of David') is a six-pointed star formed by two interlocked equilateral triangles — a hexagram. Its identification as the principal Jewish symbol is modern, taking hold with the Prague community and, decisively, with the Zionist movement in the late nineteenth century; the hexagram itself is far older and cross-cultural, appearing as Solomon's Seal, as the Hindu Shatkona, and in Hermetic-alchemical iconography. In the Wheel of Heaven framework the interlocked triangles are read through the 'as above, so below' motif of the Raëlian Symbol of Infinity, of which the Star of David is the outer component; Jean Sendy reads the same figure as the seal of the alliance between the creators and humanity.
The Star of David (Hebrew מָגֵן דָּוִד, Magen David, "Shield of David") is a six-pointed star formed by two interlocked equilateral triangles — a hexagram. It is today the best-known symbol of Judaism and the central charge on the flag of Israel, but that identification is comparatively recent: the figure became the principal Jewish symbol only in the early-modern and modern periods, and the hexagram itself is far older and appears across many unrelated traditions. In the Wheel of Heaven framework the Star of David is the outer component of the Raëlian Symbol of Infinity, where the two interlocked triangles carry the meaning Yahweh assigns them — "as above, so below," the correspondence of the very large and the very small that the Infinity framework calls its spatial dimension. To that reading Jean Sendy adds a second: that the same figure, the seal of Solomon, marks the alliance between the creators and their human creation, the upward triangle standing for "the heavens" and the downward for "men."
Etymology and naming
The Hebrew Magen David means literally "Shield of David" — magen, "shield" or "defender," and David, the biblical king from whom Jewish royal tradition descends. The name carries medieval kabbalistic and protective associations, tying the hexagram to David's guardianship of his people. Through the medieval period the same figure was more often called the Seal of Solomon (Hebrew Chotam Shlomo, Arabic Khatam Sulaymān), a name it bore in Jewish, Christian, and Islamic magical and protective use alike, from the legend of Solomon's mastery over spirits. As a neutral geometric term it is the hexagram (Greek hexagrammon, "six-line figure"); in Hindu tradition the same shape is the Shatkona (Sanskrit षट्कोण, "six-cornered"). "Star of David" — Étoile de David, Davidstern, and their equivalents — is the standard modern name in European languages and dates, as the ordinary designation, from roughly the nineteenth century.
History of the symbol
The hexagram is a simple, striking figure, and cultures far removed from one another arrived at it independently. It appears in Mesopotamian and ancient Mediterranean material — Greek, Etruscan, and Roman — in decorative and cult contexts, and some scholars read hexagram-like figures in Indus Valley artifacts, though those identifications are contested. Through the medieval period the shape turns up in Jewish synagogue architecture, manuscript illumination, and ritual objects, but as one motif among many, largely within the Seal of Solomon tradition rather than as an exclusive marker of Jewish identity; the older Jewish emblems were the seven-branched menorah and the lion of Judah.
Its consolidation as the Jewish symbol was gradual and then sudden. The Karaite community made early use of it; the Jewish community of Prague adopted it prominently from the fourteenth and fifteenth centuries — Charles IV granted the community a flag bearing the hexagram in 1357 — and Prague usage carried it across Central Europe. In 1648 the Vienna community received the right to a flag with the same figure. The decisive step was political and modern: the Zionist movement, and Theodor Herzl in particular, took up the hexagram as the movement's emblem, and the First Zionist Congress at Basel in 1897 formally adopted it. From that point the Star of David stood, as no earlier symbol had, for the Jewish people as a whole.
The twentieth century gave the symbol its gravest and its proudest associations. Under the Nazi regime the six-pointed star was imposed as a compulsory identifying badge — yellow, often lettered Jude — first in occupied Poland from 1939 and then across occupied Europe under the decree of September 1941, an instrument of segregation that preceded mass murder. In 1948 the new State of Israel placed a blue Magen David at the center of its flag, between two stripes recalling the prayer shawl. The symbol's modern history thus runs from persecution to statehood within a single decade, and both meanings remain carried in it.
The foundational scholarly account of this history is Gershom Scholem's ("Magen David: Toldoteha shel Semel," 1948; in English "The Star of David: History of a Symbol," 1971). Scholem established that the hexagram's identification as a Jewish symbol is recent — crystallizing in the seventeenth century and after — while the figure itself long predates any Jewish use; later work by Joseph Gutmann and Steven Fine has extended his account. This is the mainstream consensus.
The Wheel of Heaven reading
The framework reads the Star of David not as a Jewish invention but as one of the Elohim's own emblems, preserved across many cultures because the creators used it. In The Book Which Tells the Truth Yahweh points to it as engraved on the craft and on his suit:
"The emblem you see engraved on this machine and on my suit represents the truth. It is also the emblem of the Jewish people, the Star of David, which means: 'That which is above is like that which is below', and in its center is the swastika, which means that everything is cyclic, the top becoming the bottom, and the bottom in turn becoming the top. The origins and destiny of the creators and human beings are similar and linked."
The two interlocked triangles carry the Hermetic principle of correspondence across scales: the upward triangle for "what is above" — the planetary, stellar, and galactic scales — and the downward triangle for "what is below" — the cellular, molecular, and atomic. The same patterns of organization recur at every scale, which is what the Infinity framework means by its spatial dimension, developed under Fractal Cosmology. Yahweh restates it in Extra-Terrestrials Took Me to Their Planet: "The Star of David, which is composed of two intertwined triangles, means 'as above, so below,'" the whole emblem — star and swastika together — "contain[ing] all the wisdom in the world."
Jean Sendy, in L'ère du Verseau (1970), reads a second meaning into the same figure. The seal of Solomon, he argues, records the alliance between the creators and humanity:
"This identity between 'that which is above' and 'that which is below' is recalled by the seal of Solomon: two identical triangles, that of 'the heavens' pointing up, and that of 'men' pointing down, intertwined to recall the promised 'alliance.'"
On Sendy's reading the upward triangle is the creators, the downward is humanity, and their inseparable interlocking is the covenant that binds them — a bond that, like the figure itself, cannot be pulled apart without destroying it. The two readings are complementary rather than rival: the mirror symmetry states the cosmic correspondence, the interlocking states the covenant.
The Raëlian emblem and the 1990 change
The Star of David does not stand alone in Raëlian use. In the emblem Yahweh delivered to Raël at the 1973 contact — the Raëlian Symbol of Infinity — the hexagram is the outer figure and a swastika sits at its center, the swastika carrying the temporal, cyclic half of the meaning as the star carries the spatial. The swastika in that emblem is the ancient auspicious sign found across Hindu, Buddhist, and Jain practice and in many older cultures, not the Nazi form; but in the West the two are not easily held apart.
In 1990 Raël proposed, and states that the Elohim agreed, to change the emblem for use by the movement's Western branches, replacing the central swastika with a galaxy-shaped spiral. Raël gives two reasons: to assist the movement's efforts to negotiate a site in Israel for the projected Embassy, and — in his own words — out of respect "for the sensitivities of the victims who suffered and died under the Nazi swastika during the Second World War." The original emblem, with the swastika, remains in use in the movement's Asian branches, where, as Raël notes, "the swastika can be found in most Buddhist temples" and carries no such association. The change was presented as a matter of iconographic tact rather than of doctrine: the spiral and the swastika are held to mean the same thing — infinity in time — so the framework's content is unaffected. The full history of the emblem and its two forms is treated in the Raëlian Symbol of Infinity entry.
Comparative and critical perspectives
The hexagram's spread invites the framework's comparative claim and also its main challenge. In Hindu tradition the Shatkona joins an upward triangle for Shiva, pure consciousness, to a downward triangle for Shakti, active energy — the union of male and female principles — and it structures the great Sri Yantra of Tantric practice. The Hermetic-alchemical tradition read the same figure as the marriage of opposites, its two triangles the elements fire (pointing up) and water (pointing down), and articulated the "as above, so below" of the Tabula Smaragdina — "That which is below is like that which is above" — that the Raëlian source echoes almost verbatim. As the Seal of Solomon the hexagram served protective and magical ends across medieval Jewish, Christian, and Islamic practice. The Raëlian source itself points to the Bardo Thodol, the Tibetan Book of the Dead, as a place where star and swastika appear together, "and in many other writings as well."
The framework reads this recurrence as memory: the same emblem surfacing in many traditions because the creators used it, each culture keeping it in its own idiom. Mainstream scholarship reads the recurrence more economically — the hexagram is a simple figure that many cultures could and did devise independently, elaborated further by limited diffusion and shared visual instinct — and it is right that a shape this basic needs no single origin to explain its spread. On the specifically Jewish history the framework and the scholarship agree: with Scholem, both hold the Jewish-symbol identification to be modern and the figure itself far older. Where they part is Sendy's covenant reading, which is an interpretation internal to the framework, not one proposed by or found in mainstream Jewish or art-historical scholarship; the corpus presents it as its own reading rather than as established history.
See also
- Raëlian Symbol of Infinity
- Swastika
- Infinity
- Fractal Cosmology
- Mass Effect
- Cosmic Chain
- Doubled Signature
- The Alliance
- Elohim
- Yahweh
- Raël
- Raëlism
- Kabbalah
- Council of the Eternals
- Tree of Life
- Embassy
- Jean Sendy
- Hebrew Bible
References
Vorilhon, Claude (Raël). The Book Which Tells the Truth (1974); collected in Message from the Designers. The "Watching Over the Chosen People" content includes the principal initial Yahweh passage establishing the symbol's specific Raëlian-framework semantic content.
Vorilhon, Claude (Raël). Extra-Terrestrials Took Me to Their Planet (1975); collected in Message from the Designers. The "Neither God nor Soul" section includes the principal "as above, so below" articulation and the Bardo Thodol cross-reference.
Vorilhon, Claude (Raël). Message from the Designers. Tagman Press, 2005.
Sendy, Jean. L'ère du Verseau. Robert Laffont, 1970. The principal source for the seal-of-Solomon-as-alliance-covenant interpretive contribution.
Sendy, Jean. Ces dieux qui firent le ciel et la terre. Robert Laffont, 1969.
Biglino, Mauro, and Giorgio Cattaneo. The Naked Bible: The Truth About the Most Famous Book in History. Uno, 2022.
Wallis, Paul Anthony. The Eden Conspiracy. 6th Books, 2024.
Scholem, Gershom. "Magen David: Toldoteha shel Semel" (Hebrew). 1948.
Scholem, Gershom. "The Star of David: History of a Symbol." In The Messianic Idea in Judaism and Other Essays on Jewish Spirituality. Schocken, 1971.
Scholem, Gershom. Major Trends in Jewish Mysticism. Schocken, 1941.
Scholem, Gershom. Kabbalah. Quadrangle, 1974.
Gutmann, Joseph. The Jewish Sanctuary. Brill, 1983.
Fine, Steven. Art and Judaism in the Greco-Roman World: Toward a New Jewish Archaeology. Cambridge University Press, 2005.
Fine, Steven. Art, History, and the Historiography of Judaism in Roman Antiquity. Brill, 2014.
Herzl, Theodor. Der Judenstaat. M. Breitenstein's Verlags-Buchhandlung, 1896.
Laqueur, Walter. A History of Zionism. Holt, Rinehart and Winston, 1972.
Vital, David. The Origins of Zionism. Clarendon Press, 1975.
Friedländer, Saul. The Years of Persecution: Nazi Germany and the Jews 1933-1939. HarperCollins, 1997.
Friedländer, Saul. The Years of Extermination: Nazi Germany and the Jews 1939-1945. HarperCollins, 2007.
Bauer, Yehuda. A History of the Holocaust. Franklin Watts, 1982.
Doniger, Wendy. Hindu Myths: A Sourcebook. Penguin Classics, 1975.
Doniger, Wendy. The Hindus: An Alternative History. Penguin Press, 2009.
White, David Gordon. Tantra in Practice. Princeton University Press, 2000.
White, David Gordon. The Alchemical Body: Siddha Traditions in Medieval India. University of Chicago Press, 1996.
Khanna, Madhu. Yantra: The Tantric Symbol of Cosmic Unity. Thames & Hudson, 1979.
Faivre, Antoine. The Eternal Hermes: From Greek God to Alchemical Magus. Phanes Press, 1995.
Yates, Frances A. Giordano Bruno and the Hermetic Tradition. University of Chicago Press, 1964.
Yates, Frances A. The Rosicrucian Enlightenment. Routledge, 1972.
Hanegraaff, Wouter J. Esotericism and the Academy: Rejected Knowledge in Western Culture. Cambridge University Press, 2012.
Padmasambhava and Karma Lingpa. The Tibetan Book of the Dead: The Great Liberation by Hearing in the Intermediate States. Trans. Gyurme Dorje. Penguin, 2005.
Buswell, Robert E., Jr., and Donald S. Lopez Jr. The Princeton Dictionary of Buddhism. Princeton University Press, 2014.
International Raëlian Movement. https://www.rael.org
"Star of David." Encyclopaedia Britannica. https://www.britannica.com/topic/Star-of-David
"Magen David." Jewish Encyclopedia. https://www.jewishencyclopedia.com/articles/10257-magen-dawid
"Star of David." Wikipedia. https://en.wikipedia.org/wiki/Star_of_David
"Hexagram." Wikipedia. https://en.wikipedia.org/wiki/Hexagram
"Shatkona." Wikipedia. https://en.wikipedia.org/wiki/Shatkona
See also
- Raëlian Symbol of Infinity The composite emblem in which the Star of David is the outer component.
- Swastika The other component of that emblem, encoding infinity's temporal dimension.
- Infinity The spatial dimension the intertwined triangles represent for the framework.
- The Alliance The creator-creation covenant Sendy reads the intertwined triangles as encoding.
- Fractal Cosmology The scale-crossing as-above-so-below structure the hexagram figures.
- Doubled Signature The corpus principle of paired iconographic encoding this symbol exemplifies.
Cite this page
Star of David. (2026). Wheel of Heaven. https://www.wheelofheaven.world/wiki/star-of-david/
"Star of David." Wheel of Heaven, 2026, https://www.wheelofheaven.world/wiki/star-of-david/.
"Star of David." Wheel of Heaven, 2026. https://www.wheelofheaven.world/wiki/star-of-david/.
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